Atlanta-based singer-songwriter Faye Webster is back with her highly anticipated fifth album, captivating fans with her signature blend of indie folk, soft rock, and R&B influences. Known for her melancholic yet deeply personal songwriting, Websterâs latest project delves even deeper into themes of love, nostalgia, and self-discovery, solidifying her place as one of the most unique voices in the indie music scene.
Faye Webster has embarked on a nationwide tour, and the demand has been overwhelming. She added Texas on the list with one of the most notable stops, Houstonâs iconic 713 Music Hall, where she sold out the venue. This is her second time she sold out a venue back to back when she came in 2023 at the lawn of White Oak Music Hall. So you know the show is about to be good!
Entering the venue I couldnt help but notice the detail behind the stage. It was something out of a dream, a laundromat-inspired setup that felt nostalgic, much like Websterâs music. Lined across the stage were vintage washing machines, their metallic exteriors glowed under the dim, moody lighting. Above them, a simple rack that hung blue shirts adding to the setâs surreal charm.
When the show began, a massive shirt hung above the stage and was used as a projection screen throughout the show. Suddenly, a minion appeared off it that sang the first notes of âBut Not Kiss.â As the night unfolded, the lighting shifting to match the mood of each song. With every note, the stage bathed in hues, warm amber and deep oranges wrapping the venue in an intimate glow during Websterâs softer, more melancholic tracks, while cool blues and purples washed over the stage during moments of dreamy detachment
During songs like âRight Side of My Neck,â the lights dimmed into a hazy gold and added another playful element were soap bubbles that floated through the air, and mimicked the suds from a laundromat. The setlist took a turn toward more surreal moments, like âIn a Good wayâ or âSome Type of Wayâ the stage pulsed with shifting blues and soft pastels, creating an almost underwater-like atmosphere. It was a subtle but powerful effect, that made each song feel like its own immersive world, where color wasnât just seenâit was felt.
The massive t shirt displayed a song selection screen, as if it invited the audience to choose what came next. The excitement in the room peaked when the selection landed on âLego Ringâ featuring Lil Yachtyâone of my personal favorites. This track, with its effortlessly smooth blend of Websterâs signature melancholy and Yachtyâs laid-back flow, showcased the incredible versatility of both artists, proving that Websterâs sound could transcend genres while still feeling entirely her own.
As the night drew to a close, the opening chords of âKingstonâ filled the venue, signaling the final song of the set. This one hit differently for me, it was the first Faye Webster song I ever discovered, the one that pulled me into her world of music. Hearing it live, surrounded by a crowd under the soft, warm glow of the stage lights, felt like a full-circle moment. It was the perfect ending to a night.
Websterâs dreamy vocals and ethereal instrumentation filled the space, proving once again why she has such a dedicated following. With this album and tour, Faye Webster continues to redefine modern indie music, blending vulnerability with effortless cool, and leaving us eager for whatâs next.
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